Amy Winehouse
La Tête Haute (Emmanuelle Bercot, France)
Closing night film
La Glace et le Ciel (Luc Jacquet, France)
In competition
The Assassin (Hou Hsiao-hsien, Taiwan)
Carol (Todd Haynes, US-UK)
Cronic (Michel Franco, Mexico)
Dheepan (Jacques Audiard, France)
The Lobster (Yorgos Lanthimos, Greece-UK-Ireland-Netherlands-France)
Our Little Sister (Hirokazu Kore-eda, Japan)
Louder Than Bombs (Joachim Trier, Norway-France-Denmark)
Macbeth (Justin Kurzel, UK-France-US)
Marguerite and Julien (Valerie Donzelli, France)
Mon Roi (Maiwenn, France)
Mountains May Depart (Jia Zhangke, China-Japan-France)
My Mother (Nanni Moretti, Italy)
The Sea of Trees (Gus Van Sant, US)
Sicario (Denis Villeneuve, US)
A Simple Man (Stephane Brize, France)
Son of Saul (Laszlo Nemes, Hungary)
The Tale of Tales (Matteo Garrone, Italy-France-UK)
The Valley of Love (Guillaume Nicloux, France)
Youth (Paolo Sorrentino, Italy-France-Switzerland-UK)
Out of competition
Inside Out (Pete Docter, Ronaldo Del Carmen)
Irrational Man (Woody Allen, US)
The Little Prince (Mark Osborne, Fr)
Alias Maria (José Luis Rugeles Gracia)
AN (Naomi Kawase)
Cemetery of Splendour (Apichatpong Weerasethakul)
The Chosen Ones (David Pablos)
Fly Away Solo (Neeraj Ghaywan)
The Fourth Direction (Gurvinder Singh)
The High Sun (Dalibor Matanic)
I Am a Soldier (Laurent Lariviere)
Journey to the Shore (Kiyoshi Kurosawa)
Lamb (Yared Zeleke)
Madonna (Shin Suwon)
Maryland (Alice Winocour)
Nahid (Ida Panahandeh)
One Floor Below (Radu Muntean)
The Other Side (Roberto Minervini)
Rams (Grimur Hakonarson)
The Shameless (Oh Seung-uk)
Taklub (Brillante Mendoza)
The Treasure (Corneliu Porumboiu)
Midnight screenings
Amy (Asif Kapadia, UK)
Office (Hong Won-chan, South Korea)
Love (Gaspar Noé, Argentina)
Special screenings
Amnesia (Barbet Schroeder)
Asphalte (Samuel Benchetrit)
L’esprit de l’escalier (Pabla Lucavic)
Hayored lema’ala (Elad Keidan)
Oka (Souleymane Cisse)
Panama (Pavle Vuckovic)
A Tale of Love and Darkness (Natalie Portman)
Critics’ Week
Competition
Dégradé (Arab and Tarzan, Palestine)
Krisha (Trey Edward Shults, US)
Mediterranea (Jonas Carpignano, US/Italy)
Ni le Ciel, Ni la Terre (Clement Cogitore, France)
Paulina (Santiago Mitre, Argentina)
Sleeping Giant (Andrew Cividino, Canada)
La Tierra y la Sombra (Cesar Acevedo, Colombia)
Special Screenings
Opening film: The Anarchists (Elie Wajeman, France)
Les Deux Amis (Louis Garrel, France)
Une Histoire de Fou (Robert Guédiguian, France)
Closing film: La Vie en Grand (Mathieu Vadepied, France)
Hope not Dope: Dope is one of the films at the heart of hip-hop’s film renaissance.
Dope, the Directors’ Fortnight closing film Photograph: David Moir/AP
Directors’ Fortnight
Opening film: In the Shadow of Women (Philippe Garrel, France)
Allende, Mi Abuelo Allende (Marcia Tambutti, Chile)
Arabian Nights (Miguel Gomes, Portugal)
The Brand New Testament (Jaco Van Dormael, Belgium)
The Cowboys (Thomas Bidegain, France)
Embrace of the Serpent (Ciro Guerra, Colombia)
Fatima (Philippe Faucon, France)
My Golden Years (Arnaud Desplechin, France)
Green Room (Jeremy Saulnier, US)
The Here After (Magnus von Horn, France)
Much Loved (Nabil Ayouch, Morocco)
Mustang (Deniz Gamze Erguven, France)
Peace to Us in Our Dreams (Sharunas Bartas, Lithuania)
A Perfect Day (Fernando Leon de Aranoa, Spain)
Songs My Brothers Taught Me (Chloe Zhao, US)
Special screening: Yakuza Apocalypse: The Great War of the Underworld (Takashi Miike, Japan)
Closing film: Dope (Rick Famuyiwa, US)
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